Dark matters : on the surveillance of blackness / Simone Browne.
2015
KF4757 .B768 2015 (Mapit)
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Title
Dark matters : on the surveillance of blackness / Simone Browne.
Imprint
Durham : Duke University Press, 2015.
Description
ix, 213 pages : illustrations ; 24 cm
Formatted Contents Note
Notes on surveillance studies : through the door of no return
"Everybody's got a little light under the sun" : the making of the book of Negroes
BĀ®anding blackness : biometric technology and the surveillance of blackness
"What did TSA find in Solange's fro"? : security theater at the airport
Epilogue : when blackness enters the frame.
"Everybody's got a little light under the sun" : the making of the book of Negroes
BĀ®anding blackness : biometric technology and the surveillance of blackness
"What did TSA find in Solange's fro"? : security theater at the airport
Epilogue : when blackness enters the frame.
Summary
"In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm"--Publisher description.
Note
"In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm"--Publisher description.
Bibliography, etc. Note
Includes bibliographical references (pages 191-202) and index.
Location
STA
Call Number
KF4757 .B768 2015
Language
English
ISBN
9780822359197 hardcover alkaline paper
0822359197 hardcover alkaline paper
9780822359388 paperback alkaline paper
0822359383 paperback alkaline paper
9780822375302 e-book
0822375303 e-book
0822359197 hardcover alkaline paper
9780822359388 paperback alkaline paper
0822359383 paperback alkaline paper
9780822375302 e-book
0822375303 e-book
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