Love and Money : Queers, Class, and Cultural Production / Lisa Henderson.
2013
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Details
Title
Love and Money : Queers, Class, and Cultural Production / Lisa Henderson.
Imprint
New York, NY : New York University Press, [2013]
Copyright
©2013
Description
1 online resource.
Series
Critical cultural communication ; 18.
Formatted Contents Note
Frontmatter
Contents
Acknowledgments
Introduction
1. The Class Character of Boys Don't Cry
2. Queer Visibility and Social Class
3. Every Queer Thing We Know
4. Recognition: Queers, Class, and Dorothy Allison
5. Queer Relay
6. Plausible Optimism
Conclusion: A Cultural Politics of Love and Solidarity
Notes
References
Films
Television Programs
Index
About the Author
Contents
Acknowledgments
Introduction
1. The Class Character of Boys Don't Cry
2. Queer Visibility and Social Class
3. Every Queer Thing We Know
4. Recognition: Queers, Class, and Dorothy Allison
5. Queer Relay
6. Plausible Optimism
Conclusion: A Cultural Politics of Love and Solidarity
Notes
References
Films
Television Programs
Index
About the Author
Summary
Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace-rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.
Language Note
In English.
System Details Note
Mode of access: Internet via World Wide Web.
Source of Description
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)
Location
www
In
Title is part of eBook package: NYUP Backlist 2000-2013 De Gruyter
Access Note
restricted access (http://purl.org/coar/access_right/c_16ec) online access with authorization
Linked Resources
Alternate Title
DeGruyter online
Language
English
ISBN
9780814790595
Record Appears in